AFFANDI MUSEUM

AFFANDI MUSEUM

 

Address: Jl. Laksda Adisucipto 167, Yogyakarta 55281, Indonesia
GPS Coordinate: S7°46'58.6" E110°23'46.8"


Affandi museum is all part of Affandi's life as a painting maestro. At the bank of Gajah Wong River, Affandi used to live, work, and transform his knowledge and now he lives in his eternal home there.

Affandi Museum, Visiting the Palace of a Maestro

Visiting Affandi Museum that is located on Jalan Raya Yogyakarta - Solo, or by the west bank of Gajah Wong River, give an opportunity for you to trace all meaningful parts of Affandi's life. You can see the great works when he was alive, the works of other painters that he kept, the vehicles that he used in the past, the house where he used to live and a gallery that now functions as a place to educate gifted children in painting.

The complex of the museum consists of 3 galleries with gallery I as the ticket box and the starting point of your exploration. Gallery I that was personally opened by Affandi in 1962 and was inaugurated in 1974 contains some of his paintings from the early time of his work to the late time of his life. The paintings most of which are sketches and reproductions are placed in two rows - upper and lower - that fill the curved room.

Still in Gallery I, you can see valuable things belonging to Affandi. At one corner of the room, there is a 1976 Colt Gallant car in greenish yellow color that was modified to form a fish, and an old wind-cycle as his means of transportation. The reproduction of the statue of Affandi and her daughter, Kartika, is shown as well.

Entering Gallery II, you will see paintings by different painters, both junior and senior ones. The gallery that was inaugurated in 1988 consists of two floors with paintings that you can see from different angles. The first floor is full of abstract paintings and the second floor contains realist-style paintings.

Gallery III as the next destination is a unique building of which roof resembles banana leaf. The three-stories floor is a multifunction gallery with the first floor functions as an exhibition room as well as the location of "Gajah Wong Gallery" for children who sharpen their painting ability, the second floor functions as paintings treatment and restoration room, and the room underground is utilized to keep painting collections.

There is a tower close to Gallery III where you can see the scenery of the entire museum, Gajah wong River and the hurly-burly of the main street. Walking to the west, you will come to a house with unique architecture where Affandi and his family used to live.

The house was built with the concept of a stage-house with concrete as the main pillars and other poles are from wood. The roof is shingle roof forming banana leaf and the shape of the building is uniquely curving. The ground floor is used for Kafe Loteng where you can buy foods and drinks and the upper floor is personal room of Affandi's.

At the left side of the house, there is a cart functioning as a place for praying. The cart used to be the resting place for Affandi's wife, Maryati. Initially, Maryati wanted a caravan as the ones used by many Americans as a mobile living place. Affandi agreed to the concept but with more Indonesian style, namely a cart.

Before leaving the museum, take a little time to visit the tomb of the maestro who passed away on 23 May 1990. The tomb lays between Gallery I and II. The eternal home of Affandi's lays beside his wife's eternal home. The yard of the homes is decorated by lushness of rose trees.

In order to visit Affandi Museum, you only have to spend IDR 10,000 for domestic tourists and IDR 20,000 for foreign tourists and additional IDR 10,000 for taking photographs.

Text: Yunanto Wiji Utomo
Photo & Artistic: Agung Sulistiono Mabruron
Copyright © 2007 YogYES.COM

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SASANA WIRATAMA

SASANA WIRATAMA

 

Address: Jl HOS Cokroaminoto TR III/430, Yogyakarta 55244, Indonesia
GPS Coordinate: S7°47'12.7" E110°21'5"


Of aristocratic class, direct descendant of the Yogyakarta King, but he prefers to live humbly with lay people. Pangeran Diponegoro is one of the strugglers to whom the Dutch colony is afraid.

SASANA WIRATAMA - Commemorating the Struggle of Prince Diponegoro

20 July 1825
The Castle in Tegal Rejo where Pangeran Diponegoro lived


Outside the fort there were three-time gun explosions; the war started. North, east and south sides were besieged by Dutch troop. Paramilitary troop at the west side fought hard. Lead by Joyomustopo and Joyoprawiro, the paramilitary troop was pushed back. The force was far different. A man in white robe and white turban on his head calmly and wisely chose to break down the west wall of the castle. With several hits the wall was broken down. A command was given to save the family and the remaining paramilitary troop. With his entire troop, the man in white robe chose to go away to the west. It was such a difficult decision made to save his family and troop.

Kanjeng Pangeran Diponegoro (Prince Diponegoro)

He was born in the Kingdom of Yogyakarta on 11 November 1785; his nickname was Bendoro Raden Mas Ontowiryo and later was called Kanjeng Pangeran Diponegoro as the oldest son of Raden Ayu Mangkorowati (the daughter of Pacitan Regent) the concubine of Sri Sultan Hamengku Buwono III (HB III).

Pangeran Diponegoro had stronger interest in religious life and equality with lay people, so that he preferred to live in Tegalrejo village.

Java War

During the reign of HB V (1822), Pangeran Diponegoro did not agree to the governance system held by Patih Danurejo and a Dutch officer. This rebellion culminated in 1825, after the Dutch made the road connecting Yogyakarta and Magelang passing through his house (now a railway). The Dutch colony that did not ask Pangeran Diponegoro for permission was fought by Pangeran and his troop. The Dutch that had a reason to seize Pangeran Diponegoro as a rebel; the Dutch troop surrounded his house on 20 July 1825. Being shoved, Pangeran and his family saved their lives to the west until Dekso village in Kulonprogo Regency and continued to the south reaching Selarong cave located five kilometers west of Bantul town.

 The Dutch troop that did not succeed in capturing him fired Pangeran Diponegoro's house.

Selarong cave that is situated in Kentolan Lor village, Guwosari Pajangan of Bantul Regenc was the camp of Pangeran Diponegoro where he set guerrilla strategy against the Dutch colony. Pangeran lived in the west part of the cave, named Goa Kakung, functioning as his place for meditating. Raden Ayu Retnaningsih (his concubine who faithfully accompanied him after the demise of his earlier two wives) and his troop lived in Goa Putri in the eastern part.


The Diponegoro War that lasted until 1830 was called Java Oorlog (Java War) in history books written by the Dutch writers. In this war, the Dutch colony lost not less than 15,000 soldiers and spent more than 20 millions Gulden.

The History of Sasana Wiratama building

Located about 4 kilometers of Jogja city center, as wide as 2.5 hectares land that used to be managed by Tourism and Culture Department was handed by the heir of Pangeran Diponegoro, Raden Ayu Kanjangteng Diponegoro, to function as a monument after signing a transfer letter with Nyi Hadjar Dewantara and Kanjeng Raden Tumenggung Purejodiningrat. On the land that is now owned by Yogyakarta Kingdom, beginning from mid of 1968 until 19 August 1969, a monument was built on pringgitan building that adjoined with the pendopo at the center of the complex. The project was initiated by Major General Surono who was the Commander of the Military District and was inaugurated by President Suharto. This place was then named Sasana Wiratama that means the place for soldiers.


Passing through the main gate, turning to west side, the hall is surrounded by museum, the broken wall, dormitory and library. Additional buildings other than the hall including the gate were made between 1970 and 1973, led by Major General Widodo. The broken wall and Padasan, the place for Moslems to take clean water before praying, and Komboran, a stone container for Pangeran Diponegoro's horses to get water and food, at the south-east part of the hall are inheritances of Pangeran Diponegoro.

In front of the building situated on H.O.S Cokroaminoto Street in Tegalrejo village, there is a statue of Lieutenant General Urip Soemohardjo with the writing "Orde.Contre-Ordre.Desordre!" on the east side and a statue of General Sudirman with the writing "Jangan Lengah" meaning 'Don't be inattentive' on the west side. These statues represent the place where Indonesian people struggled for their independence. After passing through the gate, there is a two-meter high wall resembling the dome of a mosque with a picture of a giant opposing a dragon on the upper part of it. "The picture means Butho Mekso Basuki ning Bawono, Javanese old words or codes that are expressed in pictures," said Budiman to YogYES. The words are read backwards. The writing of 5281 means 1825 as the onset of Diponegoro war.

Historical Remains

There are 100 items as the collection of Diponegoro museum, consisting of some original goods of Diponegoro paramilitary troop ranging from war weapons, coins, precious stone and home furniture. Some examples of weapons are lance, kris, sword, arrow, bandil (iron hammer), patrem (a kind of weapon for women), and candrasa (a sharp weapon that looks like a chignon pin used by women spies). There are also some household tools made from brass in 1700s such as betel container and its kecohan (container in which someone spits after chewing betel), canting (an instrument used to make batik) holder, bringsing pot, and various forms of kacip (a tool to slice areca nut as an ingredient to chew betel).

There are two sacred weapons kept in this museum, namely a kris with 21 curves named Kyai Omyang, made by an empu (kris maker) who lived during Majapahit time and a sword originating from Demak Kingdom. Those two sacred weapons are believed to be able to prevent disasters.

There is also a small statue of Ganesha, the lace of the horses that pull a cart presented by HB VIII, a couple of Loro Blonyo statue and a pair of decorative lamp. There are some parts of the gamelan (Javanese music instrument) owned by HB II that was made in 1752
in the forms of a percussion and wilahan bonang made of wood, copper and brass. There is also a cannon in the east of the hall.

In addition to the broken wall, padasan and komboran, other inheritances are kept in Magelang. There are Koran, Cup and Pot, Robe, four tables and one chair. In Satria Mandala museum in Jakarta there are horse saddle and a lance. One kris of Pangeran Diponegoro is still kept in Netherlands.

The Demise of a Great Struggler

After lasting for five years and suffering from big loss and promising 50,000 Gulden to whomever that can capture Pangeran Diponegoro, the Dutch colony still could not capture him.

• 16 February 1830, Colonel Cleerens came to Pangeran Diponegoro in Remo Kamal, Bagelen, Purworejo to invite him for a meeting in Magelang. Pangeran Diponegoro agreed to this idea.
• On 28 March 1830, with his troop, Pangeran Diponegoro saw General Governor Markus de Kock. In the meeting De Kock urged Pangeran Diponegoro to cease war. Pangeran Diponegoro refused it. The Dutch colony, via Colonel Du Perron, had prepared a careful attack. Pangeran Diponegoro and his troop were defeated. On the day, Pangeran Diponegoro was exiled to Ungaran and then he was brought to Residence Building in Semarang.
• 5 April 1830 he was sent to Batavia by Pollux ship.
• 11 April 1830 he was arrested in Stadhuis (now Fatahillah museum).
• 30 April 1830, General Governor Van den Bosch decided to send Pangeran Diponegoro, Retnaningsih, Tumenggung Diposono and his wife, and other followers such as Mertoleksono, Banteng Wereng and Nyai Sotaruno to Manado for an exile.
• 3 May 1830, Pangeran Diponegoro and the group were sent by Pollux ship and were arrested in Amsterdam Fort. The Dutch colony still considered him a threat since in this place he cans still communicate with community.
• In 1834 he was exiled separately. Pangeran Diponegoro and Retnaningsih were sent to Makassar, South Sulawesi and were arrested in Roterdam Fort under tight control.
• Pangeran Diponegoro could not move freely. He spent the days with Retnaningsih and finally he died on 8 January 1855. He was buried in Kampung Melayu, Makassar, side by side with his wife tomb.

After 151 years, Indonesian people still feel the lost of the great struggler. He had the struggle spirit without ever surrendering.

Commemorating a great struggler can be done in different ways. If you want to have a closer look at the spirit of Pangeran Diponegoro's struggle and experienced it yourself, the broken wall will tell you about it silently. You can only see such an extraordinary view of the wall that was broken only by the hits of Pangeran Diponegoro's in Sasana Wiratama. (YogYES.COM: R. Syah)

Sasana Wiratama museum / Diponegoro monument
Jl. HOS Cokroaminoto TR.III/430 Tegalrejo, Yogyakarta
Phone: +62 274 622668.

Visiting hours:
Monday to Saturday: 08.00 a.m to 01.00 p.m.
Sunday: closed
Entrance Fee: voluntary

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KEKAYON MUSEUM

KEKAYON MUSEUM

 

Address: Jalan Raya Jogja-Wonosari km 7 No. 277, Bantul, Yogyakarta, Indonesia
GPS Coordinate: S7°48'54.5" E110°24'46.7"

A recording of Indonesian history in the form of a replica signing each scene of its development can bee seen in Kekayon Museum. Included in it is the history of the world-known puppet leather.

 

 

Kekayon Museum, Turning On the Record of Indonesian History

 The video recording describing the history of Indonesian nation may be seen often, but a recording in the form of a replica accounting for Indonesian history from old time to the independence proclamation is rarely seen, moreover a recording containing the history of the puppet art from the sixth to tenth centuries. Kekayon museum presents the rare recording in the location of its foundation, around 1 kilometer of the East Ring Road.

The museum that describes the history of Indonesian nation as well as the puppet history was founded on 23 July 1990 by Soedjono Prawirohadikusumo, a specialist doctor of mentally sick people. He believed that the art of leather puppet was able to bring someone to understanding of knowledge and manners to come to maturity in the sense that one can transform his knowledge to the next generation.

Entering the yard of the museum, you begin to turn on the recording of the Indonesian history. At the left, front corner of the museum, there is a building complex of the ancient human beings describing the origin of Indonesian people. Not far from it, an Austronesia complex describes the entrance of the new civilization to Indonesia so that agriculture and trading developed, especially thanks to the arrival of Chinese people.

At the front part of the museum, there is Borobudur lion statue, symbolizing the entrance of Hindu Buddha culture in the first - seventh centuries with Borobudur temple being the top of their culture. Water tower complex with the roof forming a temple lies at the right, rear of the museum, describing the triumph of Majapahit that succeeded in uniting almost all Indonesian current areas, even up to the current Malaysia and Thailand.

The symbol of Islam civilization advancement as the next historical scene in Indonesia after the triumph of Hindu Buddha is symbolized by Kudus Tower. Meanwhile, Pancuran Bidadari complex that is located at the left, center of the museum symbolizes the influence of the Dutch nation that colonized Indonesia for 350 years. The two complexes reflect the events taking place in Indonesia in the sixteenth century.

Replica of one scene of leather puppet art development is also made, in the form of Gunungan Kartasura that is located at the left, rear of the museum, describing the completion puppet stories in the eighteenth century by an artist of Surakarta Kingdom named Yododiupro from Kakawin Ramayana to become Serat Ramayana. Baleranu Mangkubumi complex, Japan statue and Proclamation statue symbolize the scene of Indonesian history before the independence.

Entering the room of the museum consisting of 4 parts, you will see collection of various leather puppets owned by Soedjono. There is a collection of the oldest leather puppets, namely wayang purwa or the first leather puppets that were performed since the era of Kediri Kingdom. The available wayang purwa are those made from buffalo skin with and without accessories. Room 1 and 2 are the places to keep the puppet collection.

Room 3 keeps other kinds of puppet, for instance Wayang Madya that existed in Kediri-Majapahit time, telling the time after Bharatayudha war.

Besides, there are gedhog puppets telling the story of Dewi Candrakirana, klithik puppet telling Damarwulan and Minakjinggo, Dupara puppet telling the struggle of Diponegoro and Suluh puppet that tells the struggle of Indonesian people to get the independence.

What is unique is that this museum keeps Wayang Kancil telling the legendary story of a mouse deer that stole cucumber, a puppet story that was adapted to become a famous story among old and young people. There are two kinds of Wayang Golek originating from West Java, and statues of some puppet characters such as Dewi Shinta and Rahwana.

In this museum, you can match your zodiac with the characters in the puppet world and foresee your character through a poster hanging on the wall that you can read clearly. There is another poster describing the war strategies used during Brathayuda war, by both Pandawa and Kurawa, which were successfully implemented to defeat the enemy. Some of the strategies are lobster pincer and elephant strategies.

You do not have to spend much to visit this museum. The entrance ticket is IDR 3,000 and additional IDR 2,000 for guidance book. Before begin your exploration, a guide will explain to you about the history and parts of the museum. Public transportation is easy to find to reach this place.

Text: Yunanto Wiji Utomo
Photo & Artistic: Agung Sulistiono Mabruron
Copyright © 2007 YogYES.COM

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MONUMEN JOGJA KEMBALI (MONJALI)

MONUMEN JOGJA KEMBALI (MONJALI)

 

Address: Jl. Lingkar Utara, Yogyakarta 55581, Indonesia
GPS Coordinate: S7°45'1.3" E110°22'7.4"


In six hours time the Dutch troop fled in disorder. An attack serves as the return point of the sovereignty of the Republic of Indonesia.

MONUMEN JOGJA KEMBALI (MONJALI) - The Track of Six-Hours Occurrence in Yogyakarta

1 March 1949, 06.00 a.m.
Yogyakarta City Center

The sound of serene signaling break time sounded from the Dutch defense post. Under the command of Lieutenant Colonel Suharto, Commander of Brigade 10 of Wehrkreise III area, an attack to the Dutch defense was started after getting an agreement from Sri Sultan Hamengku Buwono IX as initiator of the attack. The Dutch troop that since the Dutch Military Aggression II in December 1948 was distributed to small posts was separated and weakened. During six hours, Indonesian National Army succeeded in occupying Yogyakarta, after hitting the Dutch troop. Right at 12.00 in the afternoon, as it was planned, all Indonesian army drew back from the city center when the Dutch support came; total loose at the Dutch side.

This battle known as Serangan Umum 1 Maret was initial authentication to the international world that Indonesian National Army still had power to fight and to state that the Republic of Indonesia still existed. This was triggered by the capture and the exile of Bung Karno and Bung Hatta to Sumatera setting propaganda that the Republic of Indonesia had not existed.

This news about the six-hour attack was then sent to Wonosari, continued to Bukit Tinggi, then Burma, New Delhi (India), and finally in the main office of the UN in New York. With this news, the United Nations that considered Indonesia to have been independent compelled the execution of KTN (Komisi Tiga Negara / Commission of Three Nations). The meeting held in Des Indes Hotel Jakarta on 14 April 1949, where Indonesia was represented by Moh. Roem and representatives of Netherlands led by Van Royen, resulted in an agreement signed on 7 May 1949. This agreement was later called Roem Royen Statement. In this agreement Netherlands was compelled to withdraw its troop from Indonesia, and to return President and the Vice President, Soekarno-Hatta to Jogja. Finally on 27 December 1949 Netherlands officially handed over the sovereignty of the Republic of Indonesia.

Implied and Explicit Meaning of History Hallmark

In order to commemorate the struggle history of the nation, Yogya Kembali monument was built on 29 June 1985. The placement of the first stone of the 31.8 meter-high monument was done by HB IX after planting buffalo head as traditional ceremony. Four years later, on 6 July 1989, this building was finished. The opening was done by President Soeharto by signing the inscription.

The monument that is located in Jongkang village, Sariharjo Sub-District, Ngaglik District of Sleman Regency is of a mountain shape, symbolizing fertility and preservation of pre-historical ancestor's culture. The location of the monument was based on local culture that is located on imaginary axis connecting Merapi, Tugu, Sultan Palace, Panggung Krapyak, and Parang Tritis. "Macrocosmic Axis or the Great Axis of Life", as Gunadi told YogYES. The imaginary point in the building standing on 5.6 hectare land can be seen on the third floor where the flag pole is standing.


The name Yogya Kembali that means Yogya Returns symbolizes the return of the function of Indonesian Republic Government and historical hallmark of the Dutch troop withdrawal from Yogyakarta as the capital on 29 June 1949 and the return of President Soekarno, Vice President Mohammad Hatta and other officers on 6 July 1949 to Yogyakarta.

From Aircraft Replica to Quiet Room

Entering the monument area that is located about three kilometers north of Jogja city center visitors will be welcomed by replica of Cureng Aircraft close to the east gate and replica of Guntai Aircraft close to the west entrance. Stepping up the podium at west and east sides, visitors can see two wheeled-machine guns complete with the seats, before stepping down to the open space in front of the foot of the monument mountain. At the south end of the yard stands a wall containing 420 names of the strugglers who died between 19 December 1948 and 29 June 1949 and the poem entitled Karawang Bekasi by Chairil Anwar that is intended for unknown patriots.

The monument is surrounded by fish pond that is divided by four alleys going to the main building. West and east alleys connect to the entrance of the first floor that consists of four rooms presenting at least 1,000 collections of the attack on 1 March, the struggle before the independence until Yogyakarta became the capital of Indonesia. Uniform of Student Military and the sedan chair used to carry the Great General Sudirman are kept there. There is also the main meeting room, which is located adjacent to room I. This rounded room of 25 meter diameter is a functional room that is rented for seminar of even feasts.

North and south alleys are connected to the stairs leading to the second floor at the outdoor wall that circles the building that is carved with 40 reliefs picturing the struggle of Indonesian nation from 17 August 1945 until 28 December 1949. Some historical events such as physical struggle and diplomacies since the proclamation of Indonesian independence, the return of the President and Vice President to Yogyakarta and the formation of People's Security Army are pictured in the relief. While in the building, there are 10 dioramas encircling the building and picturing situations when the Dutch troop attacked Maguwo on 19 December 1948, 1 March attack, Roem Royen Statement, and ceremony of Independence Day on 17 August 1949 in Gedung Agung Yogyakarta.

The uppermost floor is a round, quiet room with a flag pole with the red and white flag on it at the center of the room, and relief of a fist on the west wall symbolizing physical struggle and diplomacy struggle on the east wall. The Garbha Graha room functions as a place to say prayers for the heroes and remember their struggle.

By far, the history of the nation struggle is heard only from the history teachers at school, or from the story told by the grandfather to his children in law. Yogya Kembali monument gives clearer description of how the independence was achieved by looking at the dioramas, carved reliefs or collection of clothes and weapons used by the strugglers of the independence. One place that will satisfy your desires of knowledge about the road that Indonesian nation had to take to get its independence. (YogYES.COM: R. Syah)

Monumen Yogya Kembali
Ring Road Utara, Yogyakarta
Phone: +62 274 868225.

Visiting Hours:
Tuesday to Sunday: 08.00 a.m. to 04.00 p.m.
Monday: closed
Entrance fee: Adult: IDR 5,000; Foreign Tourist: IDR 7,500
Group (more than 30 persons), reduced by 10%. Kindergarten students: 50% reduction per person.

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Tugu Jogja

Tugu Jogja, the Most Popular Landmark in Yogyakarta

 

Tugu Jogja is the most popular landmark of Yogyakarta. This monument is located right in the center of the crossroad between the Mangkubumi, Soedirman, A.M. Sangaji and Diponegoro roads. The Tugu Jogja that is almost 3 centuries old has a very deep meaning and it keeps some history records of Yogyakarta.

Tugu Jogja was built around one year after the construction of Yogyakarta Kingdom. At the early time of its construction, it clearly described the philosophy of the unity of God's creatures that means the spirit of togetherness of lay people and authorities to fight colonials. In Javanese term, the spirit of togetherness is called golong gilig that is clearly described in the construction of the monument: the pole is of gilig (cylinder) form and the top part is golong (rounded). This monument was known as Tugu Golong-Gilig.

In details, the monument was originally constructed in the form of a cylindrical pole with conical form upwards. The base is an encircling fence while the top is rounded. The preliminary height of the monument was 25 meters.

Everything changed when on Monday, 10 June 1867, a big earthquake in Yogyakarta ruined the monument. The collapse of the monument was the transition time when the unity was not really reflected on the monument.

The situation changed totally when in 1889 the Dutch government renovated the monument. The monument was constructed as a square with each side being decorated with a kind of inscription containing the names of people who were involved in the renovation. The top portion is no longer rounded but a pointed cone. The height of the monument is also lower, namely 15 meters. Since then, this monument was also called as De Witt Paal or Tugu Pal Putih (white pole monument).

The renovation of the monument was actually the tactic used by the Dutch colonial to erase the philosophy of togetherness between lay people and the king. Learning from the result of the struggle afterwards, however, the effort did not seem to be successful.

If we want to look at the monument satisfactorily while remembering its philosophical meaning, there are benches facing the monument on the corner of Mangkubumi Street. At 05:00 a.m. - 06:00 a.m. is the right time since the air is still fresh and not much passerby yet. Occasionally, the newspaper boy will greet us politely while riding his bicycle to go to the distribution office of the biggest local newspaper, the Kedaulatan Rakyat.

In the evening, we find the seller of gudeg (traditional menu cooked from young jackfruit) at the corner of Diponegoro Road. The gudeg sold here is delicious at reasonable price. You may have it in crossed-legs seating arrangement while looking at the view of the Tugu Jogja that is bathed with lights.

Being so identical of the Tugu Jogja to Yogyakarta makes many university students from outside of Yogyakarta to express their happiness after the graduation day by hugging and kissing the Tugu Jogja. That may also express their love to Yogyakarta that they will about to leave soon and at the same time say their promise to return to this city.

Text: Yunanto Wiji Utomo
Photo & Artistic: Agung Sulistiono Mabruron
English Translation: Emanuel, Downhill English Services

Copyright © 2007 YogYES.COM

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MUSEUM BATIK DANARHADI

UNESCO has decided Batik as one of Indonesian heritages. Museum Batik Danarhadi is the best and the most complete antique batik museum in the world. It possesses more than ten thousand pieces of batik fabrics, one of them is Snow White Batik.

MUSEUM BATIK KUNO DANAR HADI
Jl. Slamet Riyadi 261 Surakarta
Phone:
+62 271 714326

MUSEUM BATIK DANARHADI 

The Most Complete Antique Batik Museum in the World

 Batik has become a part of Indonesian cultures since hundreds years ago. This coloring technique uses wax to prevent the fabric from the other colors. On October 2, 2009, UNESCO decided that Indonesian Batik is one of the world heritages. Motivated by his love to Batik Haji Santosa Doellah, the owner of Batik Danarhadi, has been collecting many batik from all over the places. Until this time, his collection has reached more than ten thousand pieces of antique batik; six hundreds of them are exhibited in Museum Batik Danarhadi.

From Batik Kraton, Batik Belanda, until Batik Tiga Negeri

 A tour guide greeted us friendly and accompanied us in one and half hour museum tour. The first gallery displayed the collections of Batik Belanda (Holland Batik), in which most of them are sarong, with the pattern dominated by flowers, leaves, animals, particularly birds and butterflies. Batik Belanda came in bright colors such as red, green, orange, and pink. There were pictures of Dutch wearing batik hanging on the wall.

The second gallery displayed Batik Kraton (Royal Batik) from Surakarta, Mangkunegaran, Yogyakarta, and Pakualaman palaces. The patterns of these royal palaces batik are almost the same, only some modification and the way to wear it that make differences. There is also a kind of batik called Batik Tiga Negeri (Three Countries Batik). This batik was colored by red, blue, and brown colors in three different places. The red color was done in Lasem, blue in Pekalangon, and brown in Solo.

The other collections are Batik China, Batik Java Hokokai (batik influenced by the Japanese culture), Batik Pesisir (Kudus, Lasem, Pekalangon), Batik Sumatra, Batik Saudagaran, Batik Petani, Contemporary Batik, and many other kinds of batik. One of the most attractive is Batik Cirebon. Beside the influence of China, this Batik had wings patterns showing the influence of Hindu culture from the Old Mataram Kingdom.

Something that we shouldn’t miss is the special collection of this museum. There are antique batik collections with unique patterns inspired by the folktales or legends. One of them is Snow White pattern. This batik was made by patterns depicting the Snow White story. The story started when the stepmother mother was told by the mirror that Snow White is the most beautiful woman in their country. It made her angry and threw Snow White to the jungle. The motif was continued by the story of Snow White’s life in the jungle with seven dwarfs, eating the poisonous apple, and meeting a prince who wakes her up from a long sleep. Snow White Batik was designed by an Indo-Dutch woman during the mid of 19th century. Despite that, the process of making was still done by Indonesian people. Besides, there are some batik with a pattern depicting the stories of Hans and Gretel, Little Red Riding Hood, and even the Diponegoro War.

One Stop Batik Shopping

 The tour guide also took YogYES to the back of the museum. The atmosphere was suddenly changed. The elegance of the exhibition rooms was changed with the dynamic manufacturer atmosphere. In that big room without any partitions, hundreds of people worked in batik making process, from the very beginning until the finishing process. If you want to learn more about this technique, this museum offers the workshop packet of one color hand-painting batik in 5 days.

Done with the antique batik collection and the complicated batik making process, our eyes were pampered by the beautiful batik collection of Danarhadi. Formal shirts, beautiful gowns, pillow-sheet, and many other products can be bought from here. Museum Batik Danarhadi uses the concept of One Stop Batik Shopping and becomes the shopping paradise for batik lovers.

Copyright © 2010 YogYES.COM

Opening Hours
Monday to Sunday: 09.00 a.m. to 04.30 p.m.

Ticketing
Domestic visitor: IDR 25,000
Foreign visitor: IDR 25,000
Student: IDR 15,000

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MUSEUM MANUSIA PURBA SANGIRAN

angiran has been listed as one of the world heritage sites by UNESCO. In this site, thousands of fossils, which are almost half of early man fossils in the world, have been found.

MUSEUM MANUSIA PURBA SANGIRAN
Desa Sangiran, Kecamatan Kalijambe, Kabupaten Sragen

MUSEUM MANUSIA PURBA SANGIRAN

A Journey across Time to the Early Man Period

Sangiran Early Man site, around 56 square kilometers, is located 18 km away to the north of Solo. There was no difference when you enter this area. Local resident’s houses, schools, and small forests looked similar to the other areas. However, when you walked farther, you would find houses functioned concurrently as pre-historical relic souvenir shops.

After 45 minutes riding motorcycle, YogYES arrived in Sangiran Early Man Museum. The museum which lied on the 1, 6 hectares of land was differently built on the hill with unique design and turned up to the hilltop. We had to walk around the slope of the cliff to go to the first exhibition room. The first exhibition room, located in a cave which is renovated by concrete walls, was picturing the birth of the Earth, teeth and skeletons fossils, pre-historical animals’ bones, and human evolution diorama, as well as diorama of samples of early man activities.

Exit from the first exhibition room, visitors should climb the stairs to go to the second exhibition room located on the top of the cliff. In this room, visitors would be able to see various numbers of pre-historical men’s skeletons from various periods and places, mammoth’s leg bone, pre-historical cow’s skeleton, various kind of weapons, fossilized stones, etc.

A Key Site to Study the Human Evolution Theory

Sangiran early man site was discovered in the 1930s, when Gustav Heinrich Ralph von Koeningswald, a Germany anthropologist, discovered early man fossils in Sangiran. The excavations and the discovery of fossils in this place supported the theory of the human evolution from a monkey man to a present man. At least 5 different men fossils types were discovered. This discovery was amazing and became the most important key to the development of human evolution theory. Sangiran became the site contributing almost 50% of early man fossils discovered in the world.

Not only early man fossils and the pre-historical life, they also discovered ocean fossils, revealing the theory that Java Island was lifted from the sea millions years ago. In the 1980s, scientists were shocked by the discovery of a complete 4-meter mammoth fossil. This fossil is stored and exhibited in Bandung Geological Museum. Because of these greatest contributions to archaeology, anthropology, geology, and sciences, UNESCO listed Sangiran as the world heritage no. 593 on December 5, 1996 in Merida, Mexico. After the announcement, the early man museum was built to store and exhibit the discovered fossils.

Puluhan kios berjajar di depan museum, tempat para penduduk setempat menjual suvenir dan cinderamata khas peninggalan pra sejarah, mulai dari benda-benda yang diklaim sebagai tulang dan gigi manusia ataupun hewan purba, patung-patung dari tanah endapan dengan serat daun tumbuhan purba, hingga aneka kalung, gelang dan perhiasan dari batu-batu kali dan kayu fosil. Terdapat juga gardu pandang dimana kita bisa menikmati pemandangan hampir seluruh area situs Sangiran.

Many souvenir stalls stand in a row in front of the museum, where local people sells various kind of pre-historic relic souvenirs, ranging from souvenir claimed as bones and teeth of pre-historical human and animals, statues from sediment soil with fiber of pre-historical leaves and plants, to various necklaces, bracelets and accessories from river pebbles and fossilized woods. There is also a view point where we can admire and enjoy the beauty of Sangiran’s scenery site.

Copyright © 2010 YogYES.COM

Opening Hours
Tuesday to Sunday: 08.00 a.m. to 04.00 p.m.

Ticketing
Domestic visitor: IDR 3,000
Foreign visitor: IDR 7,500 

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SASMITALOKA MUSEUM

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SASMITALOKA MUSEUM

Address: Jl. Bintaran Wetan 3, Yogyakarta 55111, Indonesia
GPS Coordinate: S7°48'8.7" E110°22'30.9"


Sudirman is fatherly; holds to principle and conviction; always puts the interests of community and nation. He is the first General as well as the youngest Commander in the Republic of Indonesia.

SASMITALOKA MUSEUM - Visiting The Home of a Guru

"My sons, Indonesian soldiers, you are not soldiers of fortune, but the ones with ideology, who are willing to struggle and to face danger for the glory of your country. Trust it and believe it, that the independence of a nation that is built upon a pile of ruins of thousands of souls and wealth of its people and nation, will never be able to be destroyed by anyone, no body!" (General Sudirman)


Bantarbarang village of Rembang Sub-District, Purbalingga Regency, Banyumas Residence witnessed the birth of little baby on Monday, 24 January 1916. His cries initiated the birth of a great character in the revolution of Indonesia. His father, Karsid Kartawiraji and Siyem, his mother, who gave birth to their children named him Sudirman. His step father, Raden Cokro Sunaryo, added 'Raden' in front of the name Sudirman.

After his formal education in Taman Siswa, he continued his study to HIK Muhammadiyah Solo. In 1934, Raden Sudirman who was active in Islamic Boy Scout Organization, Hizbul Wathon, became a headmaster in Muhammadiyah elementary school in Cilacap. Being a headmaster, he was open, was willing to listen to others' opinion and always gave solution to problems existing among teachers. Apart from being a headmaster, he also taught in Muhammadiyah Junior High School in Cilacap.

The Road to Become a General

Military career of Pak Dirman (his familiar address during the guerilla) started when he joined a training of PETA (Pembela Tanah Air / Country Defender) soldier officers in Bogor. After the training, he was then appointed a Daidancho (Commander of Daidan, equals to a battalion) in Banyumas.

Several months after the proclamation of Indonesian independence on 17 August 1945, Japanese troop was compelled by the Allied Forces to hand over the weapons to Indonesian soldiers. The unwillingness of Japan to hand over the country inventory caused them to shoot each other and took many victims from both sides. However, it did not happen in Banyumas. Thanks to the wisdom of Mr. Dirman (he was appointed the Commander of Division V/Banyumas with his title as a Major) in the meeting, there is no bloodshed in the process of weapons hand over. Due to his services and achievement, Pak Dirman who was tenacious, soft in speaking and fatherly in protecting his subordinates, was appointed as Commander of TKR (Tentara Keamanan Rakyat / People's Security Army) on 12 November 1945 and was inaugurated on 18 December 1945 by the President.

Pak Dirman was only 29 years old by that time but he was capable of being a leader who took quick decision with direct, firm follow up. He succeeded in incorporating various forces into Indonesian army, so that on 3 June 1947 he retained his General rank after TKR changed into TRI before finally it became APRI.

The road that General Sudirman took to sit in the highest position in APRI on 3 June 1947 was going through wars; from the independence war against Japan to pushing back the Allied Forces from Ambarawa (Palagan Ambarawa) to Semarang on 15 December 1945. After his position as a general, he did not just do nothing. He was carried on a sedan chair when he was ill while leading guerilla war against the Dutch troop. He set tactics for Military Aggression I and Military Aggression II at different places. This marathon travel as far as 1,000 kilometers for six months ended with the signing of Roem Royen Agreement. The Great Commander finally returned to Yogyakarta on 10 July 1949.

he History of the Guru's Home

The house located on Jalan Bintaran Wetan No.3 Yogyakarta is the house where General Sudirman used to live and it now becomes Sasmitaloka museum of the Great Commander General Sudirman. Sasmitaloka in Javanese language means the place to remember, to commemorate. This museum is the place to commemorate services and sacrifices of General Sudirman.


This building that was constructed during the Dutch Indian government in 1890 has very long history. At the early time of its foundation, this historical building was meant for a finance officer of Paku Alam VII castle, Mr Winschenk. During Japanese colony this building was vacant and the goods were confiscated. In the independence time of the Republic of Indonesia, this building was used as the camp for Tukul Company of Suharto Battalion. Since 18 December 1945 until 19 December 1948 this became official residence of General Sudirman when he became the Highest Commander of TKR. Then, during the Dutch Aggression II it was used by the Dutch colony as the Camp of IVG T Brigade and after the sovereignty of the Republic of Indonesia on 17 December 1949, was used as the office of Yogyakarta Military Command, then dormitory for XII Infantry Regiment and invalid people respectively. On 17 June 1968 it was used as Infantry Central Museum until it was inaugurated as the Museum of Sasmitaloka General Sudirman on 30 August 1982.

Exploring Sasmitaloka

Entering Sasmitaloka museum from the north gate, visitors will see the inscription of the Great General Sudirman. In the front yard of the main building there is a monument of the Great General Sudirman. The monument is in the shape of a statue of Pak Dirman who is riding the horse with the writing on four sides as described earlier. On the northern part of the monument there is a machine gun and cannon on its southern side.

The main building has three doors in the front part and one door connecting to the hall at the back part. The main building consists of six rooms connecting one to each other. The front part is guest room. In the room where General Sudirman welcome his official guests there are six chairs and one table, one set each in the north part and the southern part. In between those two rooms there is a medal given to General Sudirman. At the back of the room, there is a living room that is located at the center of the main building that also functions as the room for guest room of General Sudirman family. In the living room there are two sets of chair and an old radio owned by General Sudirman. In the north part of the living room, visitors may enter the working room that is located in the west part connecting to the sleeping room in the east. In the working room, there are confiscated weapons and the weapons that General Sudirman used. In this room, YogYES stops a while to read the writing written by Buya Hamka about General Sudirman. In the south of the living room there is a General Sudirman's sleeping room that is adjacent to his daughters' sleeping room in the west. The hall that functions as dining room as well as the play ground where he plays and chats with his daughters is located to the east of the living room. The main building is arranged similarly to the condition when General Sudirman and his family were living there.

In the north wing of the main building there is a building with three rooms. The front room is secretarial room to keep chairs and table used by Lieutenant Colonel Sudirman when he was promoted to be the Highest Commander of TKR. Secretarial room is connected with Palagan Ambarawa room in the eastern part. In this room, there are weapons confiscated from Japanese soldiers that were used to fight against the Allied Forces in Palagan Ambarawa, and English weapons that were taken away in the war, and diorama of Palagan Ambarawa war. In the east of the room there is Panti Rapih room. There is a diorama in this room describing the room where General Sudirman was hospitalized in Panti Rapih hospital. There are also some equipments utilized during his treatment.

After seeing Panti Rapih room, visitors can see Sobo and Pacitan rooms, which are located at the eastern part of the building at the south wing of the main building. In this room there are simple weapons that they use during their guerrilla. The unity of the army and citizens was realized in their willingness to give their belongings to retain Indonesian independence. Adjacent to this room, at the west part, there is a diorama room of the guerilla. There are three dioramas picturing the commencement of the guerilla and the difficult struggle that they had to undergo to coordinate with the troops in local areas. There is also the sedan chair on which General Sudirman was carried during the guerilla. Next to it is the clothing room. One of the clothes collections that was always worn by General Sudirman is the wool mantel. In between diorama room and clothing room there is an alley on which wall hang some letters written by General Sudirman. Photographs of what General Sudirman did before guerilla until his demise and two sets of Pak Dirman's official clothes can be seen in photo and documentation room that is located at the west part of the building.

The Great Hero is Gone

17 August 1949 was a special day when the Independence Day was celebrated in Gedung Agung Yogyakarta after the return of Soekarno-Hatta from Bangka on 6 July 1949 and General Sudirman from his guerilla on 10 July 1949.

Based on the Round Table Conference on 27 December in Den Haag, Netherlands officially handed over the sovereignty of the Republic of Indonesia. Unfortunately, the Great General Sudirman could not see further result of his struggle. Tuberculosis virus gnawing his lungs after going in and out of forests for months finally defeated him. On 29 January 1950, the Great General died in a place provided for retired soldiers in Badakan, Magelang. He was then buried in the funeral for the patriots in Semaki, Yogyakarta.

The Great Commander is also a common human being. He has home and family to protect. Through this visualization, the museum tells more about the life of General Sudirman as a husband and father, and the highest leader in military. A general that never surrendered to colonies, even to the illness he suffered. Entering the museum seems like entering channel of time when the Great General Sudirman spent his days as a Leader. (YogYES.COM: R. Syah)

The Great Commander General Sudirman Sasmitaloka Museum
Jl. Bintaran Wetan No. 3 Yogyakarta
Phone: +62 274 376663

Visiting hours:
Monday to Tuesday: 08.00 a.m to 02.00 p.m.
Saturday to Sunday: 08.00 a.m to 12.00 a.m.
Friday: closed
Entrance Fee: voluntary

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SONOBUDOYO MUSEUM

SONOBUDOYO MUSEUM

 

Address: Jl. Trikora 6, Yogyakarta 55122, Indonesia
GPS Coordinate: S7°48'9.1" E110°21'50"


As many as around 1,200 keris from all parts of Indonesia can be seen in Sonobudoyo Museum. They range from the keris from Yogyakarta, Solo, Madura,to the ones from Kalimantan (it is called Mandau) and Sulawesi or celebes.

Sonobudoyo Museum, Admiring the Keris Collection

Visiting Sonobudoyo Museum is an alternative to see keris and other related items to it from all parts of Indonesia. The museum that keeps around 1,200 keris (most of them were donated by Java Institute) will satisfy your curiosity about keris since the Kingdom of Yogkarta that keeps sacred keris does not allow public to see its keris collection.

Sonobudoyo Museum is within easy reach from Yogyakarta Kingdom; it is located across the North Square of Yogyakarta. To get into it, you only have to pay the entrance ticket as much as IDR 3,000. Meanwhile, in order to see various kinds of keris, you have to go through quite long procedures because you have to get permission from the museum chief officer. This is because many of the keris collection are still kept in the collection room; they are not shown to public.

The first thing you will see that is related to keris is wesi budha (Buddha Iron); it is the main material to make keris that was used in around the year 700s AD, or during the triumphant of Hindu Mataram Kingdom. Wesi Budha can be seen in the middle room that also keeps some collections of the triumphant of Buddhism civilization in Indonesia. In addition to the wesi budha, there are various household furnishings, weapons and handicrafts of the same period.

Entering further, you can see some keris, even though the number is relatively small. Some of the exposed keris are straight keris, keris with 7 curves, 11 curves and 13 curves. Most of the keris displayed in this room are those from Jave. In addition to the keris, batik cloths with different patterns are kept there.

Another room behind the library of the museum, displays more types of keris. The museum attendant explained to YogYES that the room keeps various kinds of keris from all parts of Indonesia and it keeps collection of accessories such as pendok of Yogyakarta and Solo and the keris blade . More collection originates from outside of Yogyakarta since there was prohibition to collect keris with the quantity exceeding those of the collection of Yogyakarta Kingdom.

The Javanese keris kept in the museum are those with 7, 11, 13 curves or called luk and straight keris with various pamor (pattern), such as beras wutah / the spoiled rice (pamor that was accidentally resulted from the forging process, in the form of connectiong circles), sekar pakis (in the form of the fins flower) and so on. The keris from outside of Java that are kept there are, among others: the unique rencong Aceh, mandau from Kalimantan, keris from Madura and Bali, and keris from Sulawesi or Celebes.

In that collection room, you can also see many old keris handles with interesting designs. There are keris handles in the forms of human head, human full posture, dragon, lion, and so on. There are hundreds of pendok that are classified into two categories, namely Yogyakarta and Solo styles. Different from the keris handles with various designs, the shapes of pendok are relatively the same.

Thousands of the keris collection pay the difficulty to get in this collectio room. The museum attendant explained to YogYES that all the keris in the collection room will be displayed in an exhibition room that will be constructed in the future. You may hope that at your visit in the future time, you can see all of the collections without sophisticated permit.

Text: Yunanto Wiji Utomo
Photo & Artistic: Agung Sulistiono Mabruron
Copyright © 2007 YogYES.COM

Sonobudoyo Museum
Jl. Trikora No. 6 Yogyakarta
Phone: +62 274 418330

    * Tuesday - Thursday
      Visiting hours: 07.00 a.m. to 14.30 p.m.
    * Friday
      Visiting hours: 07.00 a.m. to 11.00 p.m.
    * Saturday - Sunday
      Visiting hours: 07.30 a.m. to 13.00 p.m.

Entrance Fee: IDR 3,000

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Ubud Village

 Ubud Village is a traditional village supervising 13 Banjar (group of community) and 6 custom countryside. It is located in Ubud sub district, Gianyar Regency  and about 20 km from Denpasar Town. Ubud Vilage can be reached within 30 minutes or 15 minutes from Gianyar Town and this place is situated in the high land about 300 meter above sea level. Ubud is surrounded by the good temperature compare with other regions in Bali where the temperatures are relative cool that is ideally for everyone to stay in this beautiful place. This village is occupied 9.800 peoples which most of them are Hindu. They able to keep the environment naturally so that way this place usually used by many tourist/people/actors to get the art inspiration.

Ubud Village is also well known as a culture village where we easily find the local community presenting traditional cultures from the ritual up to the traditional dance performances. This village own the rich culture with the history heritage of all big actors, especially all famous artists, for example I Gusti Nyoman Lempad (1862 - 1978), Anak Agng Gede Sobrat (1919 - 1992), I Gusti Made Deblog (1910 - 1968), afterward caught up by others like, I Gusti Ketut Kobot, Ida Bagus Made, Dewa Putu Bedil, Ida Bagus Rai and others. The popularity of all above artists follows to give the inspiration to all west artists to live in Ubud Bali. In year 1920's, two European artist people that are Rodolf Bonnet from Dutch and Walter Spies from Germany inscribe the new history of artistic growth paint the countryside of Ubud. Second, the European artist introduce the European esthetics technique especially illumination area, shadow, perspective and anatomy. All local artists permeate the new technique matching with value and base on local mind fixed take the traditional so that able to give the separate identity by the name Ubud. Ubud Village progressively famous as a born area of all painters because the existence of the cooperation between Tjokorda Gede Agung Sukawati and Rudolf Bonnet to form the Pita Maha. Pita Maha represent a place to discuss the artistic growth and problem paint, and also to compare mind to each other and introducing result of art which they own.  

Ubud Village Tour is an exciting tour package to visit places interest in this village and surrounding area. There are other Ubud Tour Package available which all of them visit this village like Elephant  Ubud Tour, Rafting Ubud Tour , Elephant Safari Ubud Tour and Ayung Rafting Ubud Tour .

Ubud is one of tourist places in Bali provides many hotels from luxury until the low budget. We can recommend the following hotels in Ubud which you can select one of them based on your budget:

• Maya Ubud Resort
• Cendana Resort
• Ubud Village
• Agung Raka Bungalow
• Villa Semana
• Natura Resort
• Barong Resort
• Ibah Hotel
• Pita Maha
• Royal Pita Maha

• Kupu - Kupu Barong
• Kra-Chaai Villa
• Begawan Giri
• Komaneka Tanggayuda
• Komaneka Resort
• Alila Ubud
• Ubud Village
• Alam Puri Villa
• Teba House

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Subak Museum

Subak Museum is a museum colleting the Balinese  traditional agriculture tools and old documentation  to remind all young generation about Subak Organization which has famous in the world. It is located in Sanggulan countryside, Kediri sub district and Tabanan regency precisely 20 Km west part of Denpasar town. This museum is opened for public and to be one of tourist destinations in Tabanan regency, west part of Bali. It is strategically located in Tabanan town and close with other tourist destinations in this regency.

Tabanan regency is one of the regencies in Bali own the widest rice field, so that frequently this regency is called by the Rice Barn of Bali Island. Sanggulan countryside has been choose as a place of Subak Museum because considering that Subak Rijasa in this regency that in year 1979 have reached the National Champion in Intensification Program that lifting Bali's name in the national level. Beside of that Tabanan regency owns more Subak Organization if it is compared with other regencies. The development of Subak Museum is inspirited by intention of all Balinese culture lovers. This museum is expected to preserve Subak as a local cultural asset which have meritorious in developing and improving agricultural rice field production, especially rice and traditional irrigation system. This system is very famous in foreign countries because own the similar irrigating system like Fai in Thailand and Zangera in Philippine with the chasm and its specification do not like Subak which is existing in Bali. Subak is wet farm farmer organization to get the water irrigation from the sources.

Subak Museum is consisted of the closed and opened building. The closed building is consisted of the exhibition stand where we can meet the demonstration of the object related to farmer work, visual audio building narrating the Subak activities in its bearing with the water irrigation management, library and office. Open building is the visualization of Subak demonstration in mini form which is consisted of a pool as relocation place of irrigation, a tunnel to flow the water from pool to the water relocation. The objects and farmer equipments are displayed in the exhibition building is the equipments and object are arranged in a such manner from the equipment for the opening of agriculture farm, making the irrigation items, farm processing, crop conservation, harvesting, making rice and kitchen equipments. It is not different from other museums in Bali that Subak Museum in Sanggulan countryside has the following function:

    * As a center of the erudite investigation and documentation
    * As a place of science channeling
    * Cultural acquaintanceship place
    * Medium place to introspect the human being
    * Place of mirroring the human being history
    * Place to enjoy the art and culture object generally

In tourism effort, this time can be form as a tourist destination, especially for incoming tourist from the big countries like America , Europe, Japan , etc that this museum as a unique place of interest in Bali.

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Painting Museum

Panting Museum is located about 200 meters from Puri Saren / Ubud Palace and it is dissociated by dell, climb a piece of wide plain with beautiful view. It is situated in calm and peaceful area of Ubud Bali so that this place is an ideal place for who wish to see and enjoy result of art from all big actor like I Gusti Nyoman Lempad, Ida Bagus Nyana, Anak Agung Gde Sobrat, I Gusti Made Deblog, Rudof Bonnet, Walter Spies and more. 

This museum is opened in the year 1956 by minister of Education and Culture, Mr. Moh. Yamin. This museum is consisted of three special buildings in U-shape. In the middle of this museum is the courtyard and fishpond with the beautiful lotus flower. The building no 1 is a place for a permanent exhibition of puppets dressy or puppets style painting. This building is collecting the painting from I Gusti Nyoman Lempad and the clarification about the existence of Pita Maha Organization. The Building no. 2 is also a place for permanent exhibition or still from masterpiece result of all artist of Balinese modern dressy style. The Building no.3 is for a temporary exhibition.

There is only one museum is exist in Ubud Village that is Puri Lukisan Museum, but Ubud sub district area until the year of 2003 is built with 4 new painting museums those are: Puri Lukisan Museum, Neka Museum, Arma Museum and Rudana Museum.

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